38th New York Film Festival
Alice Tully Hall September 2 to October 9
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In The Mood For Love Set in Hong Kong in 1962, Wong Kai-Wai's latest film is a romantic
idyll in which all the sex and confessions have been excised, leaving gestures
and shards of feeling in their place. Nominally about two married people who
discover that their spouses are having an affair with each other, In the Mood
for Love is instead more about aquarium-green and gold-vermillion, the moist
tenderness at play in Tony Leung's eyes and the way in which Maggie Cheung's
eyes and the way in which Maggie Cheung's fingers brush against a doorjamb. As
always, love is ephemeral, the mood indigo. More quiet and still than muchof the
director's recent work, the film is achingly, shockingly beautiful - somehow, and somehow rightly, it ends at Angkor Wat, the Cambodian temple in whose shadow this idyll about love and time lost comes to a whispery, mysterious close. 97 min. Hong Kong, 2000 A USA Films Release
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